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Review: Green-House – “Hinterlands”
Green-House traverse ambient, folk and modern classical to build idyllic natural worlds through synthesis.
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Review: Monqi – “Stoke the Fire”
Monqi delivers her most emotionally charged work yet on ‘Stoke the Fire’.
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Review: Noémi Büchi – “Exuvie”
The third album from Swiss/French composer, Noémi Büchi commands us to confront the memories that shape us.
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Jarred Up Festival 2025: Sheffield Celebrates Chaos and Community
Sheffield’s primary party collective return for Jarred Up Festival 2025.
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INTRODUCING | Cloth – Low Sun
Glasgow duo, Cloth drift through shadow and light on their new ‘Low Sun’ EP.
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Sticking Power – PVA Interviewed
PVA are gluing south London’s rave culture with its fertile guitar scene.
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A Message to You Rishi – An Ode to the Arts
The arts sector has long been neglected by the Tories – it’s time they faced the music.
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Finding the Sweet Spot – IAN SWEET Interviewed
IAN SWEET conjures up a colourful new world in the honest and cathartic ‘Crush Crusher’ – images by Kelsey Hart
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Cult Following – In Conversation with Spacey Basement Cult
What are the signs of a cult (and why does this Headingley bedroom studio feel so welcoming?)
Reviews
-
Review: Green-House – “Hinterlands”
Green-House traverse ambient, folk and modern classical to build idyllic natural worlds through synthesis.
-
Review: Monqi – “Stoke the Fire”
Monqi delivers her most emotionally charged work yet on ‘Stoke the Fire’.
-
Review: Noémi Büchi – “Exuvie”
The third album from Swiss/French composer, Noémi Büchi commands us to confront the memories that shape us.